Crystal Ebony, a sculpture made of ebony wood and crystal resin Close-up of the crystalline resin and ebony wood in the sculpture *Ébano Cristalino* Front view of the sculpture *Ébano Cristalino*, made of ebony wood and crystalline resin Rear view of the artwork *Ébano Cristalino* Close-up view of the artwork *Ébano Cristalino* by DELAFUENTEART PROJECT Side view of the contemporary sculpture *Ébano Cristalino* Close-up of the geometric shapes in the sculpture *Ébano Cristalino* Original "Crystal Ebony" Sculpture on a Display Pedestal Details on the Materials and Finishes Used in the Ébano Cristalino Project The interplay of transparency and light in the sculpture *Ébano Cristalino* Contemporary sculpture "Crystal Ebony" integrated into an exhibition space

CRYSTAL EBONY

"Crystal Ebony" is a contemporary sculpture created from crystal-clear resin and ebony wood; the combination of these two materials creates a kind of metaphor—the fusion of the organic and the artificial into a single form. Chaos is contained within a basic geometric shape, from which its rhythms and play of light seem to strive to escape.

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The series of contemporary sculptures created by Álvaro Quintana and Jesús de la Fuente for DELAFUENTEART PROJECT stems from a collaborative creative process, in which sculpture is understood as a field of tension between gesture, space, and matter.

His sculptural exploration draws on a variety of influences: the formal intensity of Expressionism, the radical nature of Franz Kline’s brushstrokes, the chromatic depth of Rothko, and the spatial dimension of artists such as Isamu Noguchi and Barnett Newman.

The work does not seek representation, but rather presence: signature sculptures that assert themselves in space with strength, silence, and balance.

In these works, geometry coexists with expressive energy. Each sculpture bears the imprint of the creative process, of a restrained gesture, and of a precise decision. The reference to tradition—from Velázquez and El Greco to Mondrian—does not appear as a direct allusion, but rather as a profound understanding of the weight of space, verticality, and composition.

Produced by DELAFUENTEART PROJECT, the series reflects an approach to sculptural edition as part of the creative act itself: a collaboration in which thought, technique, and form advance inseparably.

The works are presented as autonomous entities, conceived to engage with the contemporary space and to be integrated into collections that value the formal intensity, conceptual strength, and enduring nature of contemporary sculpture.

Álvaro Quintana / Jesús de la Fuente
DELAFUENTEART PROJECT

Medium , , ,

Edition

Height of structure 60 cm

Width of work 42 cm

Depth of work 42 cm

Weight of work 37 kg

Weather resistance

DELAFUENTE / QUINTANA

Álvaro Quintana Escobar (1991), an artist trained in Fine Arts with a master's degree in Heritage Conservation, and Jesús de la Fuente (1972), an artist and sculpture producer, develop a joint practice that lies at the intersection between sculptural creation, material research, and technical knowledge.

Within the framework of DELAFUENTEART, they combine the development of their own work and sculptural production with the exploration of processes, materials, and formal solutions applied to contemporary sculpture, combining artistic practice and production at an international level.